Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

“Zemnako” is a young man who finds out that after the chemical bombardment of Halabja of Iraq in 1988 by Saddam Hussein, he has been brought to Iran and adopted by an Iranian woman. As a single mother, she couldn't get an Iranian ID for him. When his foster mother passes away, he decides to go to Kurdistan of Iraq to find his relatives.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
A world of expansion awaits.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.