‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Riko, a suicide-obsessed young woman meets up with K, an angry young man whose dream is to blow out all of existence. Together they join up with three other would-be terrorists on an errand to deliver a "cake" to an unspecified location somewhere in Tokyo. This film is telling the story of lost and self-destructive youth in oblique, stylized, fantastical fashion.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.