The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

After 15 years as coach of a middle-class ice hockey team in Canada, Harry Zoppke has served his purpose. Without a job and without a family, he returns to his hometown of Freiburg. While looking for work at his old club, the EHC Freiburg, he meets Benny, whom he once coached. Benny has come a long way as a joke item manufacturer. But Benny is always plagued by the uncertainty about the identity of his father. When Benny discovers that Harry is left-handed like him and has the same allergies, he is convinced that Harry must be the long-awaited biological father. Benny, in turn, is completely taken aback and ultimately misses the right moment to explain the misunderstanding to Benny. Instead, Harry soon enjoys having a son and no longer being alone. Benny now finally has the father he always wanted.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
"There is something going on between us that I cannot unravel."
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This article will cover why this film is categorized as a documentary and concert film.
A film about family and sacrifice... and carnivorous locusts coming after you.