The story of fifteen-year-old Renata, who lives in a small apartment with her divorced parents, takes place during the socialist era of the 1980s. Not only does she have her own problems appropriate for her age, but she is also disgusted by her parents' constant arguments, who willingly involve her in all their intimate matters. She takes revenge on them by getting into more and more trouble. She gets drunk, listens to Radio Free Europe, and rebels somewhat clumsily against the political situation. But when things get really bad, she allows herself to be rescued by her father, a member of the secret police, with a mixture of admiration and contempt. Weaned on this confused world of adults, she clumsily stands on her own two feet. Only when she falls in love with a boy she doesn't want at a dance and loses her virginity to a boy she doesn't really know, only after various emotional escapades, does she find a certain indulgence for her eternally quarreling parents...
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
This Nickelodeon live-action TV series features strong Black representation.
