Me and 'My Best Friend Anne Frank'
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.

In 1925, with the cooperation of the War Office, British Instructional Films set out to make a dramatic, feature-length reconstruction of the five Ypres battles in which 1.7 million soldiers lost their lives. Directed by William Summers, the result is a silent classic. Unlike the famous 1916 documentary The Battle of the Somme, the Ypres footage is entirely ”faked” and the film shares some of Somme‘s propagandist approach. Regardless, the film is no less fascinating as an artistic endeavour of its time and it features some stunning images. A degree of authenticity is provided by real soldiers taking part and by the filming having taken place in the actual Ypres trenches.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Neo Sora left a realistic and yet hopeful notion for the near future and the now.