Yvette has dreamed of performing Romeo and Juliet since starting high school. Now, in her final year, the headmaster has decided to use the school's entire arts and culture budget to fund a T20 event. In a last ditch effort to put on the play, they ask the school's cricket hero, Marko Marais, to play the role of Romeo.
André Velts
Director
Ruan Wessels
Marko Marais
Elani Dekker
Yvette Verwey
Christopher van der Westhuizen
Tyler
Ruan Blum
Brink Bouwer
Row-Lean
Mildred
Diaan Lawrenson
Juffrou Goosen
Dirk Stoltz
Pieter 'Wieket' Ferreira
Pierre Breytenbach
Kirby Potgieter
Tayla Tolmay
Vera Kruger
Carmin Coetzer
Sanet Marais
Sarahann Doherty
Lucia Verwey
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
The film is a powerful narrative encompassing a theme that many people can identify with.
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.