Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
