
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.