The lives of these housewives are pretty dull. They aren't overwhelmed by household chores and are always ready for a fling whenever the opportunity arises. In the kitchen, before heading out for the day with friends? Why not? Taking the dog for a walk and while you're at it, snagging a stud to fuck your ass like your husband never does? Sounds good! The delivery guy with his package? Come right in! The landlord visiting about the boiler? Sure! That's how the spectacular Vixi Rafi, Cara Mella, Milan Cheek, and newcomer Hot Pearl, approach life in this second installment of Young Housewives. Want to see them in action? Press play!
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Although the budget was a dollar and a dream, Netflix's 'First Kill' managed to gain over 90 million viewing hours and a small cult following. So why was it canceled? Given the trends in series cancellations, it may have been because of the Black and queer protagonists.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
