'Meshes of the Afternoon' Enters the Realm of Sci-Fi
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.

Mrs. Doray sits with a Juvenile Court Judge to learn more about problem children and what to do about them. One of the cases involves 13 year old Arthur, "the worst kid in town", who moves cars away from fiire-plugs without the knowledge of the owners. The judge gives Arthur and friend Nutty another chance. However they run into further trouble when they break into Mr. Doray's drugstore to get medicine for Nutty's grandmother. Mr. Doray is not sympathetic and completely against his wife's plan to become Arthur's guardian. More incidents occur with Mr. Doray quick to judge prior to getting all of the facts. Mrs. Doray must choose between her marriage and Arthur.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.