I Wish "Senior Year" Was Better
This 2022 Netflix Film starring Rebel Wilson delivers when it comes to comedy, but leaves you wishing there was something more.

Takuya Okada (Takumi Kitamura) is a high school student. He visits his classmate Mamizu Watarase (Mei Nagano) in the hospital. Mamizu Watarase suffers from the mysterious ailment “Luminescence disease.” People who have the disease show a faint sparkle under the moonlight and the sparkle gets brighter as their death gets closer. Mamizu Watarase is not allowed out of the hospital and she will not live long enough to become an adult. Takuya Okada offers to help her carry out her wishes before she passes away. He also tells her how he feels about her, but Mamizu Watarase’s death is approaching. --asianwiki
This 2022 Netflix Film starring Rebel Wilson delivers when it comes to comedy, but leaves you wishing there was something more.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.