"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
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Still reeling from getting kicked out of her sister's apartment, Cassandra falls hard and fast for Nathan, a local DJ. After a whirlwind romance, he convinces her to quit her job and enlists her to dance at his club. As his coercive control increases and his demands grow darker, Nathan soon isolates her from her friends and family. Confused and desperate, she must figure out how to save another from the same fate and decide what her own freedom is worth.
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I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.