A portrait of the everyday life of the great Argentinian painter Remo Bianchedi. We see him in his lonely house, spending time with a friend, always working in the most absolute of isolations—an author that perseveres in secret, like a monk, removed from the art world, its advantages and its whims.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
