EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Inspired by Romy Schneider's revelations about her childhood, this film imagines the monstrous forms that may have hanted her nightmares and upset her psyche. When the truth can't come out, we make it into a monster.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.