In the small town of Vikarabad, Soumya, a rookie cop eager to prove herself, is paired with a sincere Officer Abhiram, to unravel the sinister motives of a serial offender Yugandhar, who targets young fan girls of stars, which turns out to be more dangerous than she imagined.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
