
Toni has his mind set to the 70's, when he was the king of the dance floors and used to date Vera. Nowadays, lonely and disillusioned, he always visits the disco where he used to dance, now abandoned - until the day he is bound to face ghosts from the past.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.