Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Following the accidental death of the head of the legendary biker gang Omiya Strikers, "Garou no Shinnosuke," a conflict breaks out between two major factions within the Strikers over the vacant position. However, to become the next head, one must have the legendary motorcycle left behind by Shinnosuke. Then, his younger sister Maki (Sakurai Ayu) suddenly emerges as a candidate for the position. Maki is confused, but her inherited delinquent blood awakens.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.