The Ultimate North Shore Dream in Blue Crush
If you want to feel the rush, you have to take the risk.

Shoji, who moved to Tokyo from Tohoku, meets Daisuke by chance and hits it off. Hoping to make quick money, the two join forces with the yakuza and start a loan shark business, lending money at exorbitant interest rates. Shoji is strong-willed and ruthlessly collects from debtors, while Daisuke is timid and unable to be completely ruthless. Despite their polar opposite personalities, the two get along surprisingly well, and their loan shark business is going smoothly. One day, Shoji is approached by Narimatsu, the boss of a gang, who is like a leader to him, to join the yakuza. Meanwhile, Daisuke discovers that his girlfriend Maika is in debt. With the money from Narimatsu's gang, Daisuke and Maika disappear.
If you want to feel the rush, you have to take the risk.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.