Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Sami Akyanak is an old Yeşilçam actor who is now in his seventies. Having not received any job offers for a long time, he begins to think he has been forgotten and withdraws into himself, effectively locking himself away at home. In response to this situation, our neighborhood's sweetheart, Belgin, one day knocks on Sami Bey's door and announces her engagement, but reveals that she had lied about being the daughter of a wealthy family. Since she has no one else, she asks him to pretend to be her wealthy grandfather when the groom's family comes to ask for her hand. At first, Sami Bey strongly opposes this proposal, but he can no longer resist Belgin’s insistence, whom he loves like a daughter. Now Belgin’s plan has begun. The next step is to find a groom candidate Sami Bey doesn’t know and a mansion.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
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