Nevertheless, she persisted: Dora and the Lost City of Gold
Dora is the superhero we didn't know we needed.

In 1979, when Margaret Thatcher's first government breaks a promise to establish a Welsh language television channel, a wave of civil disobedience follows. One man - Gwynfor Evans - threatens to starve himself to death unless the government comes good on its manifesto pledge. The reimagining of one of the most colourful chapters in contemporary Welsh history.
Dora is the superhero we didn't know we needed.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.