A woman and an engineered man are sent in a gigantic sentient starship to search space for a place to start a new life cycle. Raj decides to take a look around the ship. He comes across a gigantic robotic cleaner. Combat ensues.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
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Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
