No One Mourns the Wicked?
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.

With their sights set on a £25,000 reward promoted by a local newspaper, American documentarians Georgia and Matt head to Exmoor in North Devon to film the fabled beast supposedly slinking through the remote terrain. Is the creature a leopard, a panther, a family pet crossbreed, an imaginary predator? Setting up a forest camp with an old acquaintance harbouring his own dark secrets, the trio fix 42 cameras to the trees and rocks, linked back to a computer nerve centre where nothing should go unnoticed as they take turns to night watch. But then they discover some putrefying body parts all neatly tied up… then some more. And before long they realise they are in the lair of a beast right enough, but certainly not one of the four-legged variety. For they have discovered a serial killer’s playground and are soon to become his most wanted prey.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
A summary of the films featured in this annual event taking place in Westchester.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.