A Useful Ghost: A New Modern Classic
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.

Pontus Hultén's X consists both of animated, geometric sequences and of other photographic scenes reminiscent of home movies. In the geometric part of the film, Hultén works with the rhythmic displacement of contrasts and patterns in bright primary colors. Geometric images are intertwined with jazz to illustrate analogy of form. The photographic part consists of family sequences of various persons. The catalogue of Arbetsgruppen för film of 1960 lists the work as unfinished. (Filmform)
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.