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This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.

As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.

"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.