Why ‘The Hunchback of Notre Dame’ is the Best Animated Disney Movie Ever Made
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
WWJD? (2024)
Three LA girls, dragging the body of the man they accidentally ran over with their car through the desert, fight about the most politically correct way to dispose of the corpse.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Three LA girls, dragging the body of the man they accidentally ran over with their car through the desert, fight about the most politically correct way to dispose of the corpse.
Rating:NR
Genre:Comedy
Written By:Ben Snider-McGrath, Dempsey Bryk
In Theaters:8/29/2024
Box Office:
Runtime:13 minutes
Studio:Loser Films
Articles You May Like
‘Judas and the Black Messiah’ Review: Exploring The Black Panther Party
Y tu Mamá También: A Profound Exploration of Mexican Society and Self-Discovery
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
The Conjuring: Last Rites Review
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
"20/20’s: Sole Survivor” is the Imperfectest True Crime Show to Fall Asleep To
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.