TLC: Tables, Ladders & Chairs (2009) was the first annual TLC: Tables, Ladders & Chairs PPV. It took place on December 13, 2009 at the AT&T Center in San Antonio, Texas. Each main match contained a stipulation utilizing tables, ladders and chairs as legal weapons. The primary matches included Christian challenging Shelton Benjamin in a Ladder match for the ECW Championship, Sheamus challenging John Cena in a Tables match for the WWE Championship, the reigning World Heavyweight Champion, The Undertaker, defending his title against Batista in a Chair match and the main event, where Chris Jericho and The Big Show defended against D-Generation X (Triple H and Shawn Michaels) in a Tables, Ladders, and Chairs match for the Unified WWE Tag Team Championship. Other matches in the card included John Morrison versus Drew McIntyre for the WWE Intercontinental Championship, Michelle McCool versus Mickie James for the WWE Women's Championship and Randy Orton versus Kofi Kingston.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
