Transgender Representation in “Pose”:Season 1
Pose tells stories of queer joy and love in a time of intense hate and sadness.

No Mercy (2002) was a PPV presented by Subway that took place on October 20, 2002, at the Alltel Arena in North Little Rock, Arkansas. It was the fifth annual WWE No Mercy PPV and featured wrestlers from the Raw and SmackDown! brand. The main event from the SmackDown! brand featured WWE Champion Brock Lesnar defend against The Undertaker in a Hell in a Cell. The main event from the Raw brand was a title unification match, where World Heavyweight Champion Triple H fought WWE Intercontinental Champion Kane . The undercard featured Trish Stratus versus Victoria for the WWE Women's Championship, Kurt Angle and Chris Benoit versus Edge and Rey Mysterio for the new WWE Tag Team Championship, Jamie Noble versus Tajiri for the WWE Cruiserweight Championship, Rob Van Dam versus Ric Flair, Torrie Wilson versus Dawn Marie and Chris Jericho and Christian versus Booker T and Goldust for the World Tag Team Championship.
Pose tells stories of queer joy and love in a time of intense hate and sadness.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.