How to Make a Misogynistic Movie and Call it Feminist
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.

A girl from the countryside, Marina (Katerina Gogou), comes to Athens to work in the shop of a family friend (Theodoros Katsadramis) of her father. She rents an apartment with a naive girl (Jenny Rousea), who will be married by a lazy womanizer (Lefteris Vournas). The latter, after throwing out her husband, will leave their baby with Marina and disappear. After six years, she will return and ask for her daughter back. However, Marina, who has raised the little girl as her own child, refuses to grant her request. They arrive at the courts, where despite the support of her suitor and lawyer (Christos Negas), she will be forced to part with little Rinoula.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.