“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

As a teenager, Warti carried too much burden: being a mother, the backbone of the family, as well as a victim in her own household. She tried to breastfeed her baby, but stress and malnutrition prevented her from producing milk. Meanwhile, her husband, Supri, is immersed in online gambling and violence. From behind a pile of false eyelashes that she strings together to survive, Warti searches for the strength to make a decision: stay in the toxic household, or leave for a better life for herself and her baby.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
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