'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

After an unlikely casting onto a reality television show, 47-year old suburban telemarketer Ed Popil leaves his job to pursue a full-time entertainment industry career as his drag queen alter ego, 1960’s era housewife Mrs. Kasha Davis.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.