Let's Rock 'That Girl Lay Lay'
This Nickelodeon live-action TV series features strong Black representation.

Handover year 1997 sees much drama for Joy (Gigi Leung), the chief financial officer of a big company. She struggles to keep her family life together, as her husband is forced to relocate to Singapore due to his British affiliation and her son is stricken with disease. Joy's best friend and assistant (played by Fiona Sit) is a young girl trying to figure out her dodgy boyfriend. Still, she tries to help but Joy plunges into deeper despair due to her family problems. One day, the torment becomes unbearable and Joy breaks down. Things look bleak for the both of them until a friend makes good on an old promise and brings them all within sight of happiness again.
This Nickelodeon live-action TV series features strong Black representation.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Like most young people, Leviticus is imperfect. But I love it anyways.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.