Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

The documentary investigates the first steps of artistic resistance by the black actresses from Bahia of the Bando de Teatro Olodum group, which emerged in the 90's, and redefines, through documentary and fictional procedures, the contrast between official discourses and oral discourses from the perspective of these women.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.