The Gloriously Unapologetic Queerness of The Sandman
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!

Business lady Anna is about to celebrate her 40th birthday. Together with her husband Sergey, they own a small company and things are going well. But in the personal life of the spouses, not everything is all right. Anna feels that her husband has cooled off to her, and most likely he has a lover. Once in a beauty salon, a woman meets a young Natalia, who secretly tells her that she is crazy, in love with a married man with whom she has an affair. Ironically, this man is Sergei, Anna’s husband ...
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.