'Easy A' Is Pretty Anti Sex
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.

Kagari (Akira Kobayashi), a scout and overseer of Ginza bar hostesses, receives an urgent phone call from Sawako, a hostess at the bar Rie, and rushes to Tokyo International Airport to meet her. When he arrives she is gone. At the bar he learns that Tabuchi, a steady customer, had been quite friendly with Sawako and may know something. Tabuchi claims he knows nothing and Kagari lets the matter drop. Over time Kagari learns from Takijima, a businessman, that Sawako is in a hospital in Yokohama. Takijima explains that he found her in Singapore working as a street girl and brought her back to Japan. Sawako had lost her memory after being subjected to narcotics. Kagari swears to find the person responsible.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.