Dave has had what some might call a bad day. His best friend forced him to go on a date with a girl that doesn't quite seem to be his taste. Not to mention that a Vampire has just moved into town. The Vamp decides that he wants a pet Werewolf, choosing Dave. Fortunately for Dave, the Emo Vamp began reading his bad poetry halfway through the spell, letting Dave keep his free-will and control his transformations. Another side-effect? Dave knows he's in a movie now. So, Dave is going to have to learn how to control his new powers, get used to the camera that's always following him, and defeat the Emo Vamp to save his date. All while constantly punching through the Fourth Wall into your living room.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
Inspiring and diverse animated series for the whole family.
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
