Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Without Limit (1921)
Robert Frazer and Anna Q. Nilsson star in this drama, based on Temple Dusk by Calvin Johnson. David Marlowe (Frazer), the son of a clergyman (Frank Currier), is seduced by the earthly delights of drinking and gambling. While intoxicated he proposes to Ember Edwards (Nilsson), and she accepts because he has told her he is rich and she is sick of her poverty-stricken life. At a gambling house run by Clement Palter (Charles Lane), David takes a 25 dollar check from Bunny Fish (Robert Schable), changes the amount to 2,500 dollars, and proceeds to lose the whole sum at faro.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Robert Frazer and Anna Q. Nilsson star in this drama, based on Temple Dusk by Calvin Johnson. David Marlowe (Frazer), the son of a clergyman (Frank Currier), is seduced by the earthly delights of drinking and gambling. While intoxicated he proposes to Ember Edwards (Nilsson), and she accepts because he has told her he is rich and she is sick of her poverty-stricken life. At a gambling house run by Clement Palter (Charles Lane), David takes a 25 dollar check from Bunny Fish (Robert Schable), changes the amount to 2,500 dollars, and proceeds to lose the whole sum at faro.
Rating:
Genre:Drama
Written By:George D. Baker
In Theaters:3/20/1921
Box Office:
Runtime:70 minutes
Studio:Metro Pictures Corporation
Articles You May Like
“Driveways” Review
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
"Fantastic Four: First Steps" (2025) Film Review-OMG...a Marvel movie to love again!
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
"Snatching trophies? I am a trophy." Trixie Mattel: Moving Parts
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Rallies and Musical Numbers: Hairspray Unpacks Racism in The 1960s
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.