Blowing Up—A Perspective on Grief and a Lesson in Compassion
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?

Greggs, returning from abroad with a large consignment of precious stones, thwarts the first attempt of Gentleman Joe and his accomplice to rob him at his hotel, but they follow him aboard the train the when he is alone on the observation platform they attack him, and a struggle ensues in which Greggs is finally thrown to the ground from the speeding train. Helen, riding through the hills in an auto, comes upon him before Joe and his pal can alight from the train, Greggs gives her the diamonds and tells her to speed away and rush help back to take care of his injuries.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.