In Spain, criminals steal a large stock of watermarked paper for banknotes. In France, they hire Besnard, a specialist in counterfeit money, to do the printing. But after printing the clichés, Besnard is wounded by gangsters, and a journalist gets involved and steals the famous clichés.
Maurice Régamey
Director
Yves Massard
Inspector Pierre Chevillon
Louis Seigner
Commissioner Toussaint
Jean Brochard
Commissioner Marsay
Georges Lycan
Raymond
Françoise Saint-Laurent
Alice Lancourt
Colette Riedinger
Colette Guérin
Yves Brainville
Besnard
Albert Dinan
Bob
Albert Dagnant
Stefani
Jack Claret
Inspector Gérard
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.