'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

The iconic book ”Europeana: A Brief History of the Twentieth Century” by Patrik Ouředník, first published in 2001, thanks to the imagination of the French filmmaker has transformed into an apocalyptic chronicle of the last century. A straightforward testimony of scientific rationality, which led the society to a spiritual crisis and resulted in six genocides, is accompanied with melancholic Mahlerian echoes of La Belle Époque when the world was just getting ready for the century that negated all humanity. The film raises the question whether Europe in post-history and post-humanity, sweetly anaesthetized to collective unconsciousness, will pretend as if nothing had happened.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.