Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

A vlogger vanishes after becoming embroiled in a local legend. Leaving only questions, and his camera behind.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.