Opposing the Reviews for "Horse Girl"
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

An insurance salesman's life is going nowhere after he breaks up with his girlfriend. One day, an offbeat lady claiming to be a Goddess with magical powers, offers to turn his life around by granting him 19 of his old wishes. He laughs her off, until even his old childhood wishes start coming true.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.