'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

An insurance salesman's life is going nowhere after he breaks up with his girlfriend. One day, an offbeat lady claiming to be a Goddess with magical powers, offers to turn his life around by granting him 19 of his old wishes. He laughs her off, until even his old childhood wishes start coming true.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Dracula evolved from a person to a monster and then from a monster to a person.
A teen comedy that nobody wants to see.
This is not a story of oppression but a story of liberation.