'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

At the peak of his mid-life crisis, Swiss filmmaker Stefan Keller is forced to take on a side job out of financial necessity. Consequently, he finds himself travelling throughout Switzerland as an anonymous youth hostel tester just before Christmas. Thus begins his odyssey: Stefan is in desperate need of a story; he struggles with his failed relationship; and chance acquaintances force him to face the meaning of his existence.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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