Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

A young, self-destructive Montana Blackfoot man, his mind groggy with alcohol and tormented by childhood memories, discovers that his wife has left him, taking with her his prize rifle. He sets out to find her, but what he's really searching for is his own uncertain identity and a glimpse of salvation.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.