A Fun, but Bumpy, Road with “Onward"
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.

Winter in America is a stop-motion animation video that recreates the events leading up to the robbing and murder of Hank Willis Thomas’s cousin, Songha, in February 2000 outside a club in Philadelphia. Basing the narrative on eye-witness accounts, the artists use G.I. Joe action figures, similar to those they played with during childhood, to tell the story. The video examines a culture in which young boys are encouraged to act out such violent scenarios before they can even read. More generally, it is critical of America’s unquenchable thirst for material goods.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.