Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Nico's father, with whom he has a distant relationship, comes to town for medical reasons. Nico must hide his homosexuality in addition to his new life as a drag queen.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
It’s dark, uncomfortable, and there are things that don’t make sense.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Wolverine carries Deadpool - literally and figuratively
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.