Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

After Christopher Robin abandons them for college, Pooh and Piglet embark on a bloody rampage as they search for a new source of food.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.
When a US Army veteran returns home traumatized, he begins another battle with addiction.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department