Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

During a night out, A gay man reluctantly agrees to let his straight best friend secure him a date, unaware of the trauma awaiting him at the end of the night.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.