Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

In a land filled with magic and mystery, two rival kingdoms are readying for war: Isa, the beautiful water-laden city, and Paro, the industrialized wasteland. Windaria follows the tale of two sets of lovers: Marin and Izu, a young pair of farmers who are devoted to one another, and Ahanas and Jill, princess and prince of the rival kingdoms. With war approaching, these star-crossed lovers will experience the true depth of tragedy as they struggle to survive.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.