“Driveways” Review
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

Few beings have lived to see a 500-year sweep of history at a time of such unprecedented change. This is the remarkable biography of a noble Scots pine tree—ancient, gnarled, and weather worn. It stands in the Scottish Highlands, exactly where it landed as a tiny seed some five centuries ago, and where it greeted a young Mary, Queen of Scots, who was then just a child herself. It becomes the heart of a magnificent highland wilderness, home to eagles, wolves, strutting capercaillies, and feisty red squirrels.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
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Mean Girls not only centers around what goes on in high school, but also shows viewers and fans the diversity among people, especially teenagers, within today's society.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.