"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Fifteen-year-old Aina is going through her first difficulties. For the first time, she felt lonely and unprotected. The father left after the divorce, the mother is trying to arrange her personal life. The only true friend - grandfather - dies in Aina's arms. For her inconvenient character - the desire to get to the bottom of right and wrong actions - the girl was nicknamed mad. Aina, who cannot tolerate lies, has a hard time both at school and at home. But she is strong because she has her own ideas about a happy life.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Although Tuner is technically a heist movie, music and sound are woven into almost every aspect of Niki’s story. That’s what made Tuner such a pleasant surprise. I expected a film about music and discovered a heist movie, only to find that music was still at the heart of it.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.